In the pre production phase, all of the planning and structuring is done. At this point, ideas are still being formed and it’s okay to experiment. Assuming we wanted to make a salad, now, we’d be heading to the grocery store with a checklist of items we want in our meal. The number of servings will determine how many cabbages or carrots etc will be needed; we’ll need to decide what kind of salad cream we’d like; if we wanted to add in eggs or not e.t.c Ultimately, our budget will dictate how ‘crazy’ we can go in our shopping.
The story or idea is the very purpose for which the film exists and everything in and about the project revolves around it. If an idea is a seed a story is its fruit.
This script is a structured and more detailed rendition of the story. It chronicles the precise progression, dialogue, feel, and content of the whole story shot by shot.
As the story is being developed, visual development team works closely with the writers to provide a visual representation of the contents of the story. This way the characters and environments are gradually refined until the story is finally signed off. This division is made up of character development and environment concept artists.
The contents of the script is then laid out in panels with texts of dialogue, camera action and shot description.
In this form, it’s more comprehensive for the layout artists and animators to work with as opposed to having to read many pages of text.
Unlike God, the characters we create would be unable to speak. Since filming is about sounds and sight, we must employ the services of voice actors.
The color script defines the lighting and visual mood of each shot. It’s also an aid for the writer to better visualise and improve upon the story.
The production phase is where we get our hands dirty. Or clean if we were making our salad. We’d be washing and cutting the carrots and co by now. If at this point, we felt the desire to have a different kind of salad or we had to make 5 servings instead of the original 3, then we’d need to go back to the grocery store. This will cost us time and money and so it’s always important to patiently go through the pre production stage to minimize errors along the project.
Here the word is made flesh (or mesh) and sometimes a drawing. The output of the visual development process all the characters and props ( buildings, weapons, vehicles, etc) will be created in 3D and made ready for the artists and animators to use.
The animatic is like the yam before they pounded yam.
The storyboard panels are roughly animated in 2D with test voice overs and some sound effects to give a closer representation of the final film.
This stage is vital so we can review the story with respect to time.
The characters, props and cameras are arranged to match the storyboards description as closely as possible in 3D..
Previz. (3d animatic).
Once the layout is completed, again the cameras props and characters are roughly animated to see what’s the animatic looks like in a 3D space..
The animators then make the characters live and the props move as described by The Script. It is the visual presentation of the content of the script and must convey the exact idea the writer intended..
Splashes, cloth simulations, explosions, dust, water simulation, Wind, Fire and so on are added in to the already animated shots as required.
We need lights.The lighting artists light (obviously) each shot based on the color script done earlier.
Sometimes the only difference between a good and bad film could be lighting.
Here, all the shots are given to the computer to meditate on and then spit out a sequence of images from the 3D file.
Depending on the complexity of the shots and the rendering machine, a single frame could take anywhere from a fraction of a second to a whole day or even more to render.
Mistakes discovered at this stage are extremely costly.
If everything has gone well up till this point, then we are ready to start serving and dressing our salad. We’re going to be making it as presentable as possible for our guests to eat. They don’t need to know how many cabbages were harmed in the process and our job here is to prevent them from knowing that.
Color grading, Depth of Field, lens flares, camera distortion e.t.c The frames from the render are brought in and the editor can tweak the various shots to make them consistent and more pleasing to the eyes..
Sound Design(Score)/Sound Editing.
The voice overs a finally mixed in with the video along with a musical score/soundtrack, sound effects and background music..
The film may need to go through one last editing pass..